Mr. Pinter's work, according to the clumsily-phrased Nobel citation, "uncovers the precipice under everyday prattle and forces entry into oppression's closed rooms." Let us agree that his early plays -- he has not produced anything worth noticing since the 1960s -- do indeed show an uneasy relationship between the banal and the evil. But let me offer you a stave from a poem he wrote in January 2003, titled "God Bless America": "Here they go again,/ The Yanks in their armored parade/ Chanting their ballads of joy/ As they gallop across the big world/ Praising America's God."
This, and other verses like it, were awarded the Wilfred Owen prize by a group of English judges. When re-reading Owen on "the pity of war," I invariably find that it is difficult to do so without tears. When scanning Mr. Pinter on the same subject, I cannot get to the end without the temptation either to laugh out loud or to throw up. The sheer puerility of the stuff is precisely a combination of banality with evil: a preference for dictatorship larded with obscenity and fatuity. (And scrawled, I might add, by a man who helped found the International Committee for the Defense of Slobodan Milosevic.) One has had more enlightenment, and been exposed to more wit, from the walls of public lavatories, such as those featured so morbidly in Pinter's early effort "The Caretaker."
The Nobel committee allowed Borges and Nabokov to go to their graves unrecognized, while choosing writers who it is difficult to remember without wincing. Last year's selection, of a mediocre Austrian Stalinist named Elfriede Jellinek, caused a few winces even in Stockholm. And Dario Fo? What can one possibly say -- except that the theater of the absurd is apparently always on the road. Jose Saramago can certainly write -- just as Frau Jellinek can certainly not -- but one is compelled to suspect that without his staunch post-1989 membership of the unusually degenerated Portuguese Communist Party he would not have been considered. As with the Peace Prize, the award of the laureateship for literature has come to approximate the value of a resolution of the U.N. Special Committee on Human Rights. The occasional exceptions -- I would want to instance Sir Vidia Naipaul in spite of his own toxic political views -- only throw the general sinister mediocrity into sharper relief.
Here's a list of the Nobel laureates for literature.
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